That certainly could be the case with most other musicians of his age and stature George Michael’s Older album from 1996 being the obvious soul searching comparison. One could say that the deliberately paced, more sensitive approach Weller has taken is a great testament from an artist leaving behind middle age and beginning to settle down. These aren’t necessarily Weller’s greatest songs – You’re The Best Thing, That’s Entertainment et al can rest easy – but they are his loveliest a late career high from one of the most important, courageous songwriters in Britain. Though the material isn’t quite as thrustily energetic as The Jam or as wildly adventurous as the ever-changing moods of The Style Council, True Meanings succeeds on its own terms and is in all likelihood my album of the year. But this new song adds the kicker, “We miss you everywhere.” As much awe as Weller clearly holds for Bowie, the creativity of his solo albums suggests that he’s not just an acolyte but a peer. In this most personal of odes to a mass pop culture figure, there’s even a brilliantly moving answer back to the departed star himself -“Look up, you’ll see me,” paraphrases “Look up here, I’m in heaven,” the much-discussed opening line of Lazarus, Bowie’s “farewell“ single that was in the charts at the time of his death. “The depressing realisation in this age of dumbing down is that the questions have moved from, ‘Was Nietzsche right about God?’ to, ‘How big was his dick?’ Make the best of every moment.
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A series of observational bullet points mixing sage wisdom and glib crassness. “Make the best of every moment” is another quote from you-know-who, though this attempt at verisimilitude can be verified, coming from an article in the March 2004 issue of Esquire entitled What I’ve Learned. The tangled web he weaved Bowie’s lyricist Erland Cooper has clearly been trawling the web for inspiration. Too often people see death as the “end” of someone’s metaphorical “journey.”īut, at the risk of sounding super cheesy, with the endless Elvis-style repackaging of his core catalogue from Parlophone (the same record label Weller is currently signed to), it’s wrong to say that 10 January 2016 was the end of David Bowie. It’s especially important for music fans to remember in light of Bowie’s shock death.
It’s not such a big deal because Weller paraphrases the words in a beautifully meditative way it’s impossible not to be moved by them.
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I’m conscious that, from Winston Churchill to Margaret Thatcher to Alan Rickman (who spookily also died from cancer at 69, the same age as Bowie, four days after Bowie, and on Bowie Weller’s sixth birthday) the world wide web is tangled up, full of faked soundbites and philosophical quotations.
The quote was much-repeated on the Internet after the Dame’s death, though I haven’t managed to source the interview from where it’s supposedly been extracted.
We are arriving and departing all at the same time.” “The truth is of course is that there is no journey. Seasoned Bowie watchers will probably know that one of the most the most famous quotes attributed to their restless celebutante is: Gee, I wonder who they could be named after. Among Weller’s many children, Bowie has a twin, John Paul and an older sister Dylan. See if either star made it into out Worst Haircuts Gallery HERE.Bowie Weller was born on 14 January 2012, making him a Capricorn just like The Dame. Paul might be better known for the cut but Bowie wanted to point out he was there first.”Īre you happy that the two have resolved their issues? Let us know by posting a comment below. On hearing Weller’s comments, Bowie apparently sent the former Jam frontman an email thanking him for his words.īut he couldn’t resist a final pop at Weller, signing off his email with the words “Nice one, Paul, Can I have my haircut back now?”Īn unnamed source in the Sun newspaper, said: "He sent a pic of himself from the 1960s on a record sleeve. Whatever gripes I’ve had about Bowie in the past, ‘Low’s’ been a constant since I bought it in 1977.” “’Low’s’ one of my favourite records anyway. "Every night we’d drive home to London after recording and have Ziggy Stardust on five or six times,” he said. Speaking to Mojo, Weller said that he had become “a born-again Bowie freak” while making his new album ’22 Dreams’.
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